I read what I considered to be merely a rumor last night, that film composer Ennio Morricone’s Hollywood Bowl show this coming Sunday, October 25th had been cancelled or postponed. Today, multiple sources, including the Bowl’s site, confirm that there will be no performance and it has not been rescheduled.

According to the L.A. Times blog, “the concert was supposed to include excerpts from his scores to the movies The Good, the Bad, and the Ugly, The Untouchables, Cinema Paradiso, Once Upon a Time in America, The Mission, Once Upon a Time in the West,  A Fistful of Dollars, and others.” The Cinema Paradiso score to be incredible and worth the price of admission alone. I’m bummed to be missing out on seeing a conductor lead an orchestra playing his or her original piece, which is always amazing.

It’s unknown why the show is not going on. Refunds are available, according to the Hollywood Bowl, “at point of purchase.” Of course, if you go to Ticketmaster, you learn that they are not obligated to return your money, so we are currently in limbo. Luckily, we bought cheap seats for this one.

Updated 10/23/09: We received an email from Ticketmaster. They will refund the base ticket price and service charges. However, they will keep the $4+ processing fee. Bastards.

[UPDATE:] As a result of this post, I had a spirited conversation with Sophie Jefferies from the press office at LA Phil that touched on new technology’s impact  and the challenges it presents in a public setting; as well as the attending etiquette and social participation insofar as attending outdoor concerts at the Bowl is concerned. She had a quibble with me using the word “prohibited” when the Bowl site says cell phones “may not be operated.”

We both agreed that consideration for others is essential in the uncharted territory we find ourselves in as technology advances. “For some people, their cell phones are a part of enjoying a performance, especially for younger crowds. It doesn’t seem to happen at classical concerts.”

She made some good points about different types of music drawing different crowds with different expectations; said the language on the site about cell phones and pagers needed to be updated (”People don’t really use pagers anymore, do they?”); seemed to think the provisions on the back of the ticket more accurately explained the venue rules (They’re actually stricter and threaten expulsion.); and told me that at the Incubus concert the next night you were the exception if you weren’t using a cell phone in some way during the performance.

One more thing– the other acts on the bill on Sunday evening were Blitzer Trappen and the super charming and totally amazing Jenny Lewis.

From the Hollywood Bowl site:

Turn off any pagers, watch signals, or other electronic devices. Note: Cellular telephones, pagers, cameras, laser pointing devices and recording devices may not be operated in the theater.

For me and probably others, cell phone use at Hollywood Bowl is ruining performances and up to this point nothing is being done about it. I went to the Ray LaMontagne/LA Phil  show on Sunday (LA Phil produces most of the summer concerts) and people were using their cell phones for texting and video recording so much it was impossible to enjoy the show.

At the beginning of the performance Anne Litt from KCRW, a co-producer of many Bowl shows, made an announcement asking people “to secure their open bottles and electronic devices” but she did NOT say that using cell phones is PROHIBITED at the Bowl, cell phones “may not be operated” as it states on their web site.

Six of the eight people in the row directly in front of me (in section K2) were texting, snapping  photos, recording video and talking on their phones DURING THE PERFORMANCES and I could see it happening throughout the audience in front of me. I did not see any usher telling people to stop. (more…)

A nation in the midst of The Great Depression paused. Picked itself up. And dressed in its Sunday best to reflect on family and faith.

It was Easter in the Hollywood Bowl. The year was 1930.

Photo from the Los Angeles Public Library